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Cultural history combines the approaches of anthropology and history to look at popular cultural traditions and cultural interpretations of historical experience. It examines the records and narrative descriptions of past matter encompasses the continuum of events occurring in succession leading from the past to the present and even into the future pertaining to a culture. Cultural history records and interprets past events involving human beings through the social, cultural, and political milieu of or relating to the arts and manners that a group favors. Jacob Burckhardt helped found cultural history as a discipline. Cultural history studies and interprets the record of human societies by denoting the various distinctive ways of living built up by a group of people under consideration. Cultural history involves the aggregate of past cultural activity, such as ceremony, class in practices, and the interaction with locales. ==Description== Cultural history overlaps in its approaches with the French movements of ''histoire des mentalités'' (Philippe Poirrier, 2004) and the so-called new history, and in the U.S. it is closely associated with the field of American studies. As originally conceived and practiced by 19th Century Swiss historian Jakob Burckhardt with regard to the Italian Renaissance, cultural history was oriented to the study of a particular historical period in its entirety, with regard not only for its painting, sculpture and architecture, but for the economic basis underpinning society, and the social institutions of its daily life as well.〔Siegfried Giedion, ''Space, Time and Architecture'' (6th ed.), p 3.〕 Most often the focus is on phenomena shared by non-elite groups in a society, such as: carnival, festival, and public rituals; performance traditions of tale, epic, and other verbal forms; cultural evolutions in human relations (ideas, sciences, arts, techniques); and cultural expressions of social movements such as nationalism. Also examines main historical concepts as power, ideology, class, culture, cultural identity, attitude, race, perception and new historical methods as narration of body. Many studies consider adaptations of traditional culture to mass media (television, radio, newspapers, magazines, posters, etc.), from print to film and, now, to the Internet (culture of capitalism). Its modern approaches come from art history, Annales, Marxist school, microhistory and new cultural history. Common theoretical touchstones for recent cultural history have included: Jürgen Habermas's formulation of the public sphere in ''The Structural Transformation of the Bourgeois Public Sphere''; Clifford Geertz's notion of 'thick description' (expounded in, for example, ''The Interpretation of Cultures''); and the idea of memory as a cultural-historical category, as discussed in Paul Connerton's ''How Societies Remember''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「cultural history」の詳細全文を読む スポンサード リンク
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